Edmund Wheeler junior - cdv Gallery 2

Edmund Wheeler junior - Carte-de-visite Portraits (Gallery Two)

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The photographer Edmund Wheeler junior (1836-1930) produced carte-de-visite portraits at his studio at 43 Western Road, Brighton, between 1870 and 1906. Cartes-de-visite were small photographic paper prints on card mounts the same size as conventional visiting cards (roughly 21/2 inches by 41/4 inches or 6.3 cm by 10.5 cm). This photographic format originated in France and so a small portrait mounted on card came to be known as a 'carte-de-visite', the French term for visiting card, although, in England, these small photographic portraits were occasionally referred to as "album portraits".

Edmund Wheeler introduced a novel method of identifying the year a particular photograph was taken by adding a suffix to the negative number, which was customarily written in ink on the reverse of carte-de-visite portraits. Each letter of the alphabet represented a particular year of business. The  letter "A" matched the year 1873, the letter "B" corresponded to the year 1874, and so on, until the letter "Z" was reached. After utilizing nearly all of the letters of the alphabet ("I" and "O" were excluded for obvious reasons), Wheeler would start again, but this time with a double letter "AA", "BB" , "CC" and so on.

[ABOVE] The letters of the alphabet used as a suffix to the negative numbers written on the reverse of a selection of Edmund Wheeler's carte-de-visite portraits.

A Carte-de-visite portrait produced by Edmund Wheeler of Brighton in 1882

[ABOVE] A carte-de-visite portrait of Herbert Knight, a photographic portrait taken by Edmund Wheeler of 43 Western Road, Brighton in 1882. Negative No. 1049K. According to the inscription on the reverse of the carte, Herbert Knight was born around 1871 and was aged 11 when this photograph was taken. [ABOVE] The reverse of the carte-de-visite portrait illustrated on the left, produced in 1882 by the photographer Edmund Wheeler of 43 Western Road, Brighton. The carte carries a negative reference number of 1049 K and an inscription in ink identifying the sitter as "Herbert Knight, age 11" and the year the photograph was taken ("1882").
 

The Photographic Negative Codes for Edmund Wheeler's Carte-de-visite Photographs with the corresponding dates for each letter of the alphabet (A-Z :1870-1897)

DATES

suffix

Negative Nos.

NOTES

DATES

suffix

Negative Nos.

NOTES

DATES

suffix

Negative Nos.

NOTES

1870-1873  

000-1000

EW monogram. Brown printing & line border. E. WHEELER

1880-1881

H

000-1800

Edmund Wheeler (front)  Cream card. Decorative text (back). Printers: Trapp & Munch and Marion & Co. 1889-1890 R

000-2000

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch
1873-1874

A

000-3200

EW monogram. Brown printing & line border. E. WHEELER 1881-1882 J

000-2000

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch 1890-1891 S

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch
1874-1875 B

000-1500

EW monogram. Brown printing & line border. E. WHEELER 1882-1883 K

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch 1891-1892 T

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch
1875-1876 C

000-1100

EDMUND WHEELER. Ivory card. Red printing. 1883-1884 L

000-1500

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch 1892-1893 U

000-2500

Edmund Wheeler (front)  Cream card. Decorative text (bk). TRAPP & MUNCH
1876-1877 D

000-2000

EDMUND WHEELER. Ivory card. Elaborate text. 1884-1885 M

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch 1893-1894 V

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). TRAPP & MUNCH

1877-1878

E

000-2200

EDMUND WHEELER. Marion Imp, Decorative text. Ivory card. 1885-1886 N

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch 1894-1895 W

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). TRAPP & MUNCH
1878-1879 F

000-2000

Edmund Wheeler (front). Ivory card. Decorative text. 1886-1887 P

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch 1895-1897 X/Y

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). TRAPP & MUNCH
1879-1880 G

000-3000

Edmund Wheeler (front)  Cream card. Decorative text (back). 1887-1888 Q

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). Trapp & Munch 1897-1900 Z

000-1000

Edmund Wheeler (front)  Cream card. Decorative text (bk). TRAPP & MUNCH
 

Carte-de-visite Portraits by Edmund Wheeler of 43 Western Road, Brighton (1881-1895)

[TOP] A carte-de-visite portrait by Edmund Wheeler of 43 Western Road, Brighton (1873) [ABOVE] Trade Plate and Negative Reference Number (3028A)

[ABOVE] A carte-de-visite portrait of a woman, taken around 1881 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 571J. [ABOVE] The reverse of the carte-de-visite portrait illustrated on the left, produced around 1881 by the photographer Edmund Wheeler of 43 Western Road, Brighton. Negative No. 571J. Printer: Trapp & Munch, Berlin.. [ABOVE] A hand-tinted portrait of a woman reading, taken around 1881 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 717J.

[ABOVE] A carte-de-visite portrait of a woman wearing a hat, photographed around 1881 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 1976J. [ABOVE] A carte-de-visite portrait of a boy identified as "Charlie Austin", photographed around 1882 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 436K. [ABOVE] A carte-de-visite portrait of a girl identified as "Daisy Austin", photographed around 1882 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 431K. [ABOVE] A carte-de-visite portrait of a girl identified as "Violet Austin", photographed around 1882 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 432K.

[ABOVE] A carte-de-visite portrait of a boy (possibly from the same album as the portrait of identified as Herbert Knight, illustrated in the introductory panel), photographed in 1882 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 1392K. [ABOVE] A carte-de-visite portrait of a middle-aged woman (possibly from the same album as the portrait of identified as Herbert Knight, illustrated in the introductory panel), photographed in 1882 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 1069K. [ABOVE] The reverse of the carte-de-visite portrait illustrated on the right, produced around 1883 by the photographer Edmund Wheeler of 43 Western Road, Brighton. Negative No. 1418L. Printer: Trapp & Munch, Berlin.. [ABOVE] A carte-de-visite portrait of a woman wearing a necklace of dark beads, photographed around 1883 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 1418L.

[ABOVE] A carte-de-visite portrait of a woman wearing a medallion necklace, photographed around 1883 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 157L. [ABOVE] A carte-de-visite portrait of a young woman with a centre-parting in her hair, photographed around 1886 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 692P. [ABOVE] A carte-de-visite portrait of a teenaged lad, photographed around 1886 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 667P.  [ABOVE] The reverse of the carte-de-visite portrait illustrated on the left, produced around 1886 by the photographer Edmund Wheeler of 43 Western Road, Brighton. Negative No. 667P. Printer: Trapp & Munch, Berlin.

[ABOVE] A carte-de-visite portrait of a woman holding back a curtain, photographed around 1889 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 1740R. [ABOVE] A carte-de-visite portrait of an unknown woman, photographed in the 1890s by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 2255U. For the photographer's details printed below the portrait, Edmund Wheeler has introduced a new bolder typeface. [ABOVE] The reverse of the carte-de-visite portrait illustrated on the left, produced in the 1890s by the photographer Edmund Wheeler of 43 Western Road, Brighton. Negative No. 2255U. Wheeler has added the printed message "ALL NEGATIVES ARE PRESERVED". Printer: TRAPP & MUNCH. [ABOVE] A carte-de-visite portrait of an unknown woman, photographed in the 1890s by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 868V. For the photographer's details printed below the portrait, Edmund Wheeler, has introduced a new bolder typeface.

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Printers' Trade Marks and Imprints on Edmund Wheeler's Carte-de-visite and Cabinet Cards

Cartes-de-visite are small photographic paper prints pasted on card mounts the same size as conventional visiting cards (roughly 21/2 inches by 41/4 inches or 6.3 cm by 10.5 cm). The idea for the use of the carte-de-visite format for portrait photography originated in France (the name 'carte-de-visite' is the French term for visiting card) and it is reported that this novel idea was first introduced into England in 1857 by Marion & Co., a French firm of photographic suppliers which had commercial outlets in London and Paris.

In the early years of carte-de-visite production, photographers in Britain often made their own card mounts, cutting up sheets of white card by hand, but when the demand for carte-de-visite portraits increased dramatically during the early 1860s, professional photographers began to order pre-cut cards, printed with the name and address of their studios, from local printing firms. Very successful portrait studios in England (such as Mayall of London and Brighton), which might have been producing thousands of carte-de-visite portraits in a single year, were supplied with finely finished card mounts by photographic material dealers, lithographic printers and publishers such as Marion & Co. of Paris and London, Riddle & Couchman of London and Trapp & Münch of Berlin.

Marion & Co. of Paris and London

Marion & Co. was a firm which supplied photographic materials to many of the leading portrait studios in England. The founder of the firm, Claude Mames Augustin Marion, a stationer from Paris, established a London branch of Marion & Co. in London, during the early 1840s, at the dawn of the photographic age. Marion & Co. began as a firm of "manufacturing stationers", importing "French fancy goods" to be sold from their store at 152 Regent Street, London. In 1857, Marion & Co. introduced the carte-de-visite portrait format into England and by the early 1860s the firm was supplying carte-de-visite photographic card mounts and publishing "celebrity cartes" for some of the leading portrait photographers in London (John J. E. Mayall of Regent Street, the Southwell Brothers of Baker Street and Camille Silvy of Porchester Terrace). By 1863, Marion & Co. was operating from 22-23 Soho Square, London and throughout the 1870s dominated the supply of carte-de-visite mounts to photographic portrait studios. The specially printed card mounts were manufactured at Marion & Co.'s factory at Courbevoie, near Paris. Marion & Co. provided a wide range of carte-de-visite mounts at prices which reflected the quality of the card and its finish. (In 1887, Marion & Co.'s wholesale cartes described as "Second quality, ivory surface, cream" were priced at 8 shillings per 1000, while "Best superfine, enamelled surface with design on back, round corners and gilt edges" were priced at 23 shillings, 4 pence per 1000).

Trapp & Münch of Berlin and London

The German chemist Dr. August Heinrich Ferdinand Trapp (1836-1907) set up a factory producing photographic chemicals in 1861. After his marriage to Emma Muench (Münch) in 1862, August Trapp brought his brother-in-law, Theodor Muench (Münch), into the business to form the firm of Trapp & Münch. During the late 1870s, the firm of Trapp & Münch, which had its headquarters in Berlin, Germany [20a Culm Strasse, Berlin, W.]  established branches in England's capital city. London trade directories published during the early 1880s list Trapp & Münch as "photographic mount makers" at 65 Farringdon Street, London, E.C. and "albumenised paper manufacturers" at 1 Budge Row, London E.C.

W. Herrmann & Co. of Berlin and London

W. Herrmann & Co. was a photographic materials firm based in Berlin, Germany. In the early 1890s, the firm of W. Herrmann & Co. had its head office at Königin Augusta Strasse, Berlin, but was supplying printed carte-de-visite and cabinet cards to studios in England and France. It appears that W. Herrmann & Co. operated an office in London from the mid-1890s. Herrmann & Co.'s "Photo Mounts" were still being advertised in British photographic journals during the early 1900s.

[ABOVE] A small monogrammed trade mark "R&C" or "C&R" which appeared on  Edmund Wheeler's carte-de-visite cards produced around 1875. It is possible that Wheeler was using card mounts supplied by Riddle & Couchman, a firm of lithographic printers based in Watling Street, London, during the 1870s.

[ABOVE] The imprint "Marion, Imp. Paris" which appeared on Edmund Wheeler's carte-de-visite cards around 1877.The photographic materials firm of Marion & Co. of Paris and London was the leading supplier of carte-de-visite mounts in Europe during the 1860s and 1870s.

[ABOVE] The imprint of the German photographic materials firm Trapp & Münch of Berlin which appeared on Edmund Wheeler's carte-de-visite cards produced between 1880 and 1898. This early example from 1880 prints the trade mark "Trapp & Münch Berlin" in lower case. At this time, the Berlin-based firm of Trapp & Münch had branch offices in London and were listed as "photographic mount makers" at 65 Farringdon Street, London, E.C.

[ABOVE] The imprint of the German photographic materials firm Trapp & Münch of Berlin, which appeared on Edmund Wheeler's carte-de-visite cards during the 1890s. When this card was produced around 1896, the trade mark "TRAPP & MUNCH, BERLIN" was printed in block capitals. It appears that Edmund Wheeler stopped using cards manufactured by Trapp & Münch around 1898. It is possible that the photographer Edmund Wheeler used local suppliers of carte-de-visite mounts from around 1900 until he sold his studio around 1906.

[ABOVE] The trade mark of the photographic materials firm W. Herrmann & Co. of Berlin and London, which appeared on Edmund Wheeler's cabinet cards produced in the mid 1890s. The German firm of W. Herrmann & Co. supplied card mounts to British photographic studios throughout the 1880s and 1890s. Herrmann & Co.'s "Photo Mounts" were still being advertised in British photographic journals during the early 1900s.

W. Herrmann & Co. of Berlin supplied carte-de-visite and cabinet cards to photographic portrait studios across England. W. Herrmann & Co. supplied carte-de-visite and cabinet cards to the famous London studio Elliott & Fry of 55 Baker Street. In Brighton during the 1890s, several studios mounted their photographic prints on cabinet cards supplied by W. Herrmann & Co. of Berlin e.g. Lorrayne & Co. of 43 Ship Street, Brighton (1891-1892), Edmund Wheeler of 43 Western Road, Brighton (1894-1895).

[ABOVE] A carte-de-visite portrait of a unknown woman, photographed around 1890 by Edmund Wheeler of 43 Western Road, Brighton. Negative No. 564S.

The Brighton  photographer Edmund Wheeler used a letter suffix with his negative reference numbers to identify the year a particular photograph was taken.  Each letter of the alphabet represented a particular year of business. In this example, the negative reference is given as 564S; the letter "S" indicating  the year 1890.

[ABOVE] The trade plate of the photographer Edmund Wheeler of 43 Western Road, Brighton as printed on the reverse of the carte-de-visite portrait illustrated above (c1890). Printer: Trapp & Munch, Berlin.

Trapp & Münch, like other wholesale suppliers of carte-de-visite and cabinet cards, offered a wide range of different designs which could be customised for individual photographers. The designs, which were lithographically printed, employed coloured inks on a range of tinted cards, including cream, rose pink, blue, black, chocolate brown and olive green.

[ABOVE] The negative reference number of 564S and the printer's trade mark "Trapp & Münch Berlin" which  appears at the foot of the card on the reverse of the carte-de-visite  portrait illustrated above (c1890).

Trapp & Münch, a photographic materials dealer based in Berlin, Germany, supplied English studios with carte-de-visite mounts between 1878 and 1898. According to contemporary advertisements, Trapp & Münch's "Berlin Photographic Mounts" were "unrivalled for purity of cardboard and neatness of workmanship" with the "lithographed photo mounts" available in "great variety and many tasteful designs".

 
Marion and Company of Paris and London

The firm of Marion & Co. was established before 1836 by a French stationer named Claude Mames Augustin Marion (born c1794). Originally from Paris, Claude Mames Augustin Marion (generally known as Augustin or Auguste Marion) established a London branch of Marion & Co. in Mortimer Street, London, during the early 1840s, at the dawn of the photographic age. By the late 1840s, Marion & Co. had established a "fancy stationery" business at 152 Regent Street, London. The Post Office London Directory, published in 1852, lists Auguste Marion & Co. as a fancy stationer with stores at 14 Cite Bergere, Paris, and 152 Regent Street, London.

The firm of Marion & Co. showed an early interest in photography and photographic materials. In 1854, Marion & Co. began to stock "photographic papers" alongside the stationery and imported French fancy goods at their store in Regent Street:

PHOTOGRAPHY. MESSRS. A. MARION & CO. beg to inform the Artists and Amateurs that they are now ready to supply them with papers manufactured expressly for Photographic purposes; since it has been tried it has received the unanimous good opinion of the most successful operators.

Positive and Negative (not prepared); Simple Salted, and Salted Albumenized Positive; Simple Waxed, and Waxed Iodized Negative; Gummed Paper, and Cards for Mounting Proofs.

PAPETERIE MARION, 152 Regent Street.

Advertisement in "Notes and Queries" (1st April 1854)

In 1857, Marion & Co. introduced and promoted the carte-de-visite format for portrait photography. The following year, Claude Mames Augustin Marion, the founder of the firm, patented "Marion's Box", described under British Patent No. 2961, in December 1858 as "an improved box or case for containing and preserving sensitive photographic paper".

By 1860, A. Marion & Co. were advertising celebrity cartes-de-visite which could be purchased at a wholesale price and then retailed at print shops, booksellers and stationery shops. In 1862, George Bishop, who managed Marion & Co.'s London store, revealed that 50,000 celebrity cartes were distributed to retail outlets every month. During the 1860s, A. Marion & Co. were supplying supplying carte-de-visite photographic card mounts and publishing "celebrity cartes" for some of the leading portrait photographers in London viz. John J. E. Mayall of Regent Street, Maull & Polyblank of London, John & Charles Watkins of Westminster, the Southwell Brothers of Baker Street and Camille Silvy of Porchester Terrace. At the same time, A. Marion & Co. were promoting specially designed photographic albums to house carte-de-visite portraits.

By 1866, Auguste Marion & Co. had opened a warehouse and showroom at 22 & 23 Soho Square, London. At the end of August 1867, Claude Mames Augustin Marion, the head of Auguste Marion & Co., retired from the business and a new company was formed under the name of "Marion & Co." The firm of Marion & Co. was now controlled by three business partners - Auguste Leon Marion, Henry Edward Gery and George Bishop.

During the 1880s, Marion & Co. expanded its business by supplying photographic equipment and materials, including cameras and studio apparatus. Marion & Co. also had its own factory in Southgate, Middlesex, producing photographic plates and papers.

With the increasing interest in photography as a pastime activity following the introduction of "ready to use" photographic dry plates, Marion & Co. began to market their photographic equipment and materials to the general public. The publication of "Marion's Practical Guide to Photography" in 1884 encouraged amateur photography.

At the end of the 1890s, the managing partners of Marion & Co. consisted of  Auguste Leon Marion, Henri Louis Guibout, George Bishop, Frank Bishop and John Pattinson Kirk. The partnership was dissolved in 1901 and the company continued as a limited company. In 1921, Marion & Co. Ld was absorbed by A.P.M. (Amalgamated Photographic Materials Ltd).

 
[ABOVE] An advertisement for Marion and Co. which appeared in the 1852 edition of The Post Office London Directory.
 

[ABOVE] A notice dated 16th October which appeared in The London Gazette (29th October 1867) announcing the dissolution of A. Marion, Son, and Company of No. 22 and 23 Soho Square, London, and the formation of Marion and Company under three business partners Auguste Leon Marion, Henry Edward Gery and George Bishop.
 

[ABOVE] An advertisement for Marion & Co.'s Parcel Camera (c1885). Although Marion & Co. began as a supplier of fancy stationery, by the 1880s it had evolved into a company which supplied a wide variety of photographic apparatus and materials, including cameras and lenses, studio equipment and props (studio furniture, scenic backgrounds, etc.), printing-out paper and photographic dry plates.

[ABOVE] An advertisement for Marion & Co.'s Complete Photographic sets (c1896). Marion & Co., as well as supplying professional studios, encouraged amateur photography by selling "complete photographic sets" which would suit "youths, ladies and gentlemen". Marion & Co. also published "Marion's Practical Guide to Photography" which served as a handbook for amateur photographers.

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Acknowledgements

A special thank you to Roger Vaughan, author of the informative website Victorian and Edwardian Photographs and owner of the Roger Vaughan Photograph Collection. Roger Vaughan was the first person to draw my attention to Edmund Wheeler's novel method of identifying the year a particular photograph was taken. Roger Vaughan noticed that Edmund Wheeler added a "letter suffix" to the negative number, with each letter of the alphabet representing a particular year of business.

WEBSITE: Roger Vaughan's website Victorian and Edwardian Photographs - Roger Vaughan Photograph Collection (Roger Vaughan's article on Victorian Photograph Card Printers has been especially helpful).

 

Edmund Wheeler of Brighton: Galleries of Photographic Portraits

Edmund Wheeler's Carte-de-visite Portraits: Gallery One (1872-1880)

Gallery of Edmund Wheeler's Carte-de-visite Portraits    (1)

Edmund Wheeler's Carte-de-visite Portraits: Gallery Two (1881-1895)

Gallery of Edmund Wheeler's Carte-de-visite Portraits    (2)

Edmund Wheeler's Carte-de-visite Portraits: Gallery Three (1896-1906)

Gallery of Edmund Wheeler's Carte-de-visite Portraits    (3)

Edmund Wheeler's Cabinet Portraits: Gallery Three (1896-1906)

Gallery of Edmund Wheeler's Cabinet  Portraits    (4)

 

To read an account of the life and photographic career of Edmund Wheeler junior of 43 Western Road, Brighton, click on the link below:

Edmund Wheeler junior - Brighton Photographer